Zach Bryan Announces 2026 'With Heaven On Tour' Across 14 Countries

When Zach Bryan dropped the announcement for his 2026 international tour at exactly 12:01 p.m. PST on November 24, fans didn’t just click refresh—they held their breath. The Oklahoma-born singer-songwriter, whose raw, acoustic-driven ballads have turned him into a generational voice in Americana, is taking his 'With Heaven On Tour' global, hitting 28 shows across 14 countries over seven months. It’s not just a tour—it’s a pilgrimage for a generation that found solace in his lyrics about loss, faith, and small-town truths.

Here’s the thing: this isn’t Bryan’s first time packing stadiums. His 2025 run, which included a surprise sold-out show at Notre Dame Stadium, proved he could fill historic venues with a guitar, a voice, and zero pyrotechnics. But 2026? That’s a different beast. The tour kicks off at The Dome at America’s Center in St. Louis, Missouri on March 7, and ends with two nights at Gillette Stadium in Foxborough, Massachusetts on October 2–3. That’s 21 venues, 24 cities, and a route that reads like a bucket list for music lovers.

From the Heartland to the Hebrides

The first North American leg runs through March to May, hitting eight major stadiums: Tampa’s Raymond James Stadium, Baton Rouge’s Tiger Stadium, Charlotte’s Bank of America Stadium, and Cleveland’s Huntington Bank Field—the latter confirmed in a press release by the Cleveland Browns on the same day as the tour announcement. The European leg, beginning May 27 in San Sebastián, Spain, is equally ambitious. Bryan will play Twickenham Stadium in London, Croke Park in Dublin, and even Boucher Playing Fields in Belfast—a rare stop in Northern Ireland that underscores his cross-border appeal.

The logistics are staggering. Six European dates in just 29 days, with shows in Germany, Norway, Denmark, the Netherlands, Scotland, and Ireland—all packed into late May and June. And the timing? Deliberate. No summer festivals. No overlaps. Just pure, uninterrupted stadium nights under open skies.

Who’s Joining Him?

The support acts tell their own story. Kings Of Leon bring rock grandeur. Alabama Shakes add soul. Ben Howard and Gregory Alan Isakov echo Bryan’s folk intimacy. Even lesser-known names like MJ Lenderman and Fey Fili suggest Bryan’s curating a movement, not just a lineup. This isn’t a headliner with opening acts—it’s a family reunion of artists who write songs that feel like letters you never sent.

It’s worth noting: no pop stars. No DJs. No auto-tune. Just guitars, harmonicas, and voices that carry weight. That’s the quiet rebellion of this tour.

Tickets, Timing, and the Frenzy

Presales start December 3, 2025. General sales begin December 5 at 10 a.m. local time at each venue. That’s not a suggestion—it’s a warning. Ticketmaster’s artist page for Bryan already shows 1.2 million followers. In 2025, his Cleveland show sold out in 17 minutes. Expect the same chaos here.

And yes, the times are specific: 6:00 p.m. in Oslo, 6:30 p.m. in Copenhagen, 6:15 p.m. in Eindhoven. But here’s the catch—the sources don’t clarify time zones. Is that a glitch? Or a poetic touch? Maybe Bryan wants fans to feel the disorientation of traveling across borders, just like his songs make you feel lost and found all at once.

Why This Matters

This tour isn’t just about numbers. It’s about geography. Bryan’s music thrives in places where people still gather in crowds—not just to hear a song, but to remember who they are. He doesn’t need holograms or LED walls. He needs a field in Belfast, a stadium in Dublin, a sunsetting sky over Gillette. His audience isn’t just buying tickets—they’re claiming space in a world that feels increasingly fragmented.

And the scale? Unprecedented. No other Americana artist has mounted a tour this wide, this deep, this international. Not even Steve Earle. Not even Jason Isbell. Bryan’s reaching places where country music doesn’t have a tradition—places where his lyrics about military life, broken families, and quiet redemption somehow land harder.

What Comes Next?

There’s no album announced yet. But with a tour this massive, one has to assume new material is brewing. Rumors swirl about a double album recorded in rural Oklahoma and Nashville, but nothing’s confirmed. What’s clear: Bryan’s becoming a cultural anchor. He’s the rare artist who doesn’t chase trends—he sets them.

By October, when the final note fades at Gillette Stadium, he’ll have played more shows than any solo artist in the genre’s modern history. And the real question won’t be whether he’ll tour again. It’ll be: where will he go next?